Reading Jeanette Winterson’s The Passion as a Postmodernist Text


Creative Commons License

Kaya H.

Agathos: An International Review of the Humanities and Social Sciences, vol.12, no.1, pp.89-100, 2021 (Refereed Journals of Other Institutions)

  • Publication Type: Article / Article
  • Volume: 12 Issue: 1
  • Publication Date: 2021
  • Title of Journal : Agathos: An International Review of the Humanities and Social Sciences
  • Page Numbers: pp.89-100

Abstract

Jeannette Winterson’s novels can always be studied from apostmodern perspective. Postmodernism, though a loosely-defined term, makes reference to a cultural, intellectual, or artistic condition which does not

have a direct predominant hierarchy, and epitomizes extreme entanglement, discrepancy, uncertainty, diversity, and heterogeneity. In this sense, The Passion (1987) is written to deconstruct the various domineering cultural, social and moral conventions or constructed realities and norms of Western civilisation. Techniques of postmodernism – temporal and spatial distortions, gender roles, parody, pastiche, historiographic metafiction, irony – are often used by postmodernist writers in their works. This article aims to pinpoint that Winterson is resisting dominant ideologies and discourses in The Passion, and trying to reconstruct a free and alternative discourse in the same society through postmodernist techniques in the narrative of the novel.